Blood from a Stone
Kate Gilmore
Elizabeth A. Sackler Center for Feminist Art
Kate Gilmore sets up scenarios in which she performs tasks that test her physical endurance, such as breaking out of confining spaces, scaling high walls, or moving heavy objects. These feats are at once potentially dangerous and seemingly meaningless, yet the artist enacts them repeatedly with unwavering determination and focus. Gilmore originally executed and recorded Blood from a Stone in the Museum’s Elizabeth A. Sackler Center for Feminist Art before the work appeared in the 2009–10 exhibition Reflections on the Electric Mirror: New Feminist Video.
MEDIUM
(a) Single-channel video, color, sound, 8 minutes 9 seconds; (b) plaster, wood, paint
DATES
2009
DIMENSIONS
(b) ten blocks, each: 12 x 12 x 12 in. (30.5 x 30.5 x 30.5 cm)
(show scale)
ACCESSION NUMBER
2010.16a-b
CREDIT LINE
(a) Gift of the Council for Feminist Art and gift of Katherine Ordway, by exchange (b) Gift of Robert D. Bielecki
MUSEUM LOCATION
This item is not on view
CAPTION
Kate Gilmore (American, born 1975). Blood from a Stone, 2009. (a) Single-channel video, color, sound, 8 minutes 9 seconds; (b) plaster, wood, paint
, (b) ten blocks, each: 12 x 12 x 12 in. (30.5 x 30.5 x 30.5 cm). Brooklyn Museum, (a) Gift of the Council for Feminist Art and gift of Katherine Ordway, by exchange (b) Gift of Robert D. Bielecki, 2010.16a-b. © artist or artist's estate (Photo: Brooklyn Museum, DIG_E2009_Reflections_on_the_Electric_Mirror_11_PS2.jpg)
EDITION
Edition: (a) 1/5; 2 Aps
IMAGE
DIG_E2009_Reflections_on_the_Electric_Mirror_11_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Kate Gilmore
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.