The Inversion
Sylvia Plimack Mangold
Contemporary Art
Sylvia Plimack Mangold's The Inversion is full of polarities: images compete with a void, geometry conflicts with nature, traditional landscape painting faces off against abstraction. The artist began The Inversion as a larger work, and it forms a narrative about the painting process: "The landscape originally stretched horizontally from left to right, side to side," she wrote. "I cropped it because it didn't work—the negation of some areas becomes a positive element in the support of the total picture." In other words, the void at the right is a kind of negative "inversion" of the positive landscape.
MEDIUM
Oil on linen
DATES
1984
DIMENSIONS
60 × 100 in. (152.4 × 254 cm)
frame: 63 × 103 × 1 1/4 in. (160 × 261.6 × 3.2 cm)
(show scale)
SIGNATURE
Top right of center: "S. P. M. 1984"
ACCESSION NUMBER
86.200
CREDIT LINE
Gift of Henry, Cheryl, Daniel, Michael, and Willie Welt in memory of Abraham Joseph Welt
MUSEUM LOCATION
This item is not on view
CAPTION
Sylvia Plimack Mangold (American, born 1938). The Inversion, 1984. Oil on linen, 60 × 100 in. (152.4 × 254 cm). Brooklyn Museum, Gift of Henry, Cheryl, Daniel, Michael, and Willie Welt in memory of Abraham Joseph Welt, 86.200. © artist or artist's estate (Photo: Brooklyn Museum, 86.200_SL1.jpg)
IMAGE
overall, 86.200_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Sylvia Plimack Mangold
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.